Little sparks of humour

Wedding 365 series#274.

Two portraits in a row? There must be something in the water! It’s becoming a habit, but the reasoning behind portrait composition for this capture is clear. I like the mischievous humour in the capture; the flowergirl peeking out of a window, with a bridal under garment as an intriguing choice of head-dress. Okay in humour terms, it rates as subtle; the same way I feel about many of the new comedy shows the corporation fires at us of a weekend, but never the less, it’s a ‘grinner’ as I call these kinds of captures.

Dumbleton Hall wedding | Wedding 365#92

What a difference a registrar can make. I’m treading slightly on eggshells as I venture forth to embrace this subject, but there are moments, just a few mind, when I think the officiant at a wedding is rather more officious, than warm and embracing. I get to witness this first usually, since ‘my kind’ are often read some kind of riot act before we even manage to profer a welcome. There is even one county close to home where photography is not even permitted during the ceremony at all! May my lens freeze on wastelands if I even raise the camera body to clean the glass. Where in the rule books except their own this appears I do not know, but I have watched from the wings as guests snap away on their own DSLRs and iPhones, whilst my compositions are denied. Still, “rules is rules” as they say downtown, and it’s not my place to argue with those in charge of this part of the day. But this registrar you see before you, well, he, is simply gold. He even asked me, how I would like to photograph the ceremony!!! I had to pinch myself. And to be fair, I was even more aware of the need to be subtle due to the mutual respect we had found. This photograph for me sums this registrar up to a tee. Not only was he humourous at the appropriate moments, solemn when required and utterly professional in his duties, he was downright celebratory and inviting. I have not seen a room of adults warm to a registrar in quite the same fashion. Magical, simply magical. I probably don’t need to talk ethos of image, because having read the above, I am sure you can piece together the story for yourself.

COTSWOLDS WEDDING VENUE: Dumbleton Hall Hotel

SHOOTING DATA: Canon 5D Mk2, 24mm lens, F1.4, 1/1250, ISO 2500, overexposed by two stops (to counter the harsh back-light).

Wedding photojournalist | Wedding 365#47

WEDDING 365 PROJECT – Daily choice of a wedding photograph selected from my catalogue, collated from time spent documenting these unique events.

SHOOTING DATA: 5D, 58mm from a 24-105mm lens, F4, 1/800, ISO 640

ETHOS: I maintain that every photographed wedding will yield at least one signature moment, and this is the one for me from this particular wedding. It’s a simple shot featuring three key cast members from the day; groom, bride, bride’s father. They’ve just emerged from the service, friends are firing off their own frames directly in front of them. Bride turns to father and the connection is just magical. Often I photograph how fathers observe their daughters. It’s rewarding that when I return images from a wedding a response I often get is; “I had no idea dad was looking at me that way, I’m really touched.” This is role reversal. I hope this photograph is on her father’s mantelpiece because it says so much about her feelings for ‘dad.’

Wedding photojournalist | WEDDING 365#36

WEDDING 365 PROJECT – an image per day to demonstrate shooting style, creatively and technically.

SHOOTING DATA: 5DMk2, 50mm, F1.2, 1/200, ISO 1000, plus one stop exp compensation.

VENUE: Rivervale Barn, Yateley

ETHOS: An icy blast of ‘wintry snap’ has convinced me to check back through December’s pictorial records to reveal this one from Rivervale Barn. Wide open aperture assisted by the latitude of a monochrome conversion makes for a strong composition. Connection is important to me in the process of record and this simple picture has that in abundance. The Christmas tree places the image in a time, a father talking to his daughter provides the narrative and three guests making their own contact with bride and groom seems to glue everything together. There’s no complexity, it’s a simple wide story telling picture.

Alex and Kerry | The ‘one’ that wouldn’t get away

Let me tell you a brief-ish story before you press the play button on the Vimeo above and make sure you definitely engage sound for this one. As a wedding photographer, impending nuptials are of stout importance to me. I certainly don’t spend my life trawling through the Sunday supps and middle shelf glossies looking for showbiz types wot’ may be getting wed, but one approaching wedding in 2011 was of particular interest to me. It was a wedding I wanted to shoot, nobody could shoot it in fact, but me. And in a year where one William and Kate were getting wed, you may be forgiven for thinking it could be them. But no.

Our office, 2.15ish Tuesday 15th February.

Picture editor Nat: Lester’s getting married.

Me: Piggott?

Nat: No?

Me: Clue please.

Nat: You know him.

I turn the clock back to the early ‘90s. I was a fledgling producer and presenter in radio. I was attending a five day BBC radio training course up in ‘the smoke.’ On the Tuesday, we were promised a big name national broadcaster would pop in on Wednesday morning for an hour or so, to proffer advice and wisdom. So it was with great excitement that a dozen radio newbies from various stations across the isle sat in a London pub that night, musing about the celeb we were to meet the next day; would it be Wogan, Bates, Wrighty, Brookes? Maybe even Saville?

Wednesday arrived.

We sat huddled in training room 1. The atmosphere was tense. Our trainer rambled on about splice split avoidance and tape machine maintenance. We were unsettled; the crowd baying for our big name broadcaster.

11 o clock, the door opened, we took a collective intake of breath a workshop of M.O.T. mechanics would be proud of.

In walked…

Alex Lester.

Now I’d be lying if I didn’t admit that initially a dozen autograph books were surreptitiously tucked back into our reporter bags. But I remember that moment as if it were yesterday. Maybe it was the odd colourful circus clown type trousers he wore, the likes of which I hadn’t thought possible to purchase. I suspect it was because for the next hour, Alex had twelve impressionable radio presenters hanging by his every syllable. Two years later, by some odd route, I managed to acquire ‘jock status,’ for five minutes in Egton House, the home of Radio 1. I was asked at my BBC board by the controller, who I admired in radio? Wogan, Bates, Wrighty, Freeman, were all names I could have thrown into the ring.

Lester. I said. Alex Lester. Radio 2. Alex Lester. I was sure.

And so it came to be this year that Alex Lester married the incredibly beautiful Kerry. And I was there to photograph it, ably assisted on second camera by my picture editor Natalie. I regularly feel when I’ve met with a couple, that there is no-one on earth that should be there photographing their day but me, such is the connect, and my emotion. But this one. I just had to shoot this wedding. I’m so proud to have done so, and so pleased to have recorded your words too Kerry, Alex. If ever there were a couple who just ‘should be.’ It’s the two of you. x

Queen’s Eyot wedding photography | Dan and Steph

In workflow terms, on the day, for me it works thus. Photograph wedding, return home, consume tea, download images, consume tea, catalogue images, consume more tea, blog a little, consume even more tea etc and so on. I’ll admit an element of distraction the evening of this one however. It was the night of Saturday 6th August and something rather brutal was festering in North London. Listening to it unfold on the radio as I drove home rather stalled the process of blog composition. And so only now do I get the opportunity to enthusiastically wax lyrical about a fabulous island called Queen’s Eyot (pron ‘eight.’) A four acre island on the Thames just upstream from Windsor, QE is a quintessentially English clubhouse, built for Eton rowers to enjoy the fruits of their physical labour, more latterly shared with couples keen to underline the word exclusive in venue terms. For you can’t get more exclusive than a venue where the only way of getting there is via a ferry. Flowers by Stubbings of Maidenhead, pipes by James MacPherson and dress by… Mum. Fabulous.

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Rivervale Barn wedding | Ricky and Ellen

“But it’s good for the garden,” would have been the cheery riposte from my late mother if faced by a seemingly unending dousing of wet weather on a day where we’d otherwise planned for something less inclement. Having spent many of my childhood holidays under cover of canvas in various corners of the UK, I’m well versed with a dampened view of our country during the height of summer. I wouldn’t have appreciated it aged 12 I’m sure, but this was probably the best training I could receive for a career shooting weddings in Britain. In Ellen’s words on the day; “We chose [Rivervale Barn] for the inside as much as the outside, as we just didn’t know what the weather would hold.” And with that, I understood immediately why the rigorous rainfall hadn’t affected the attitude of the day. I often witness guests take a lead from the two key cast members of the day. If rain stops play, it could be because the mood has been dictated accordingly by displays of disappointment or dissatisfaction. It’s an important planning consideration for every wedding day. Does the venue offer ample opportunity and space if it rains etc and so on? The rain may not have let up for this one, but neither did Ricky and Ellen’s constant enthusiasm and honest joy for their occasion. Loved it. From start to finish.

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Rivervale wedding photography | Hants wedding photographer

We love black and whites, big colours, natural coverage, shoot it as you see it. Pretty much the words used by Steve and Brenna from my meeting with them just prior to their Rivervale Barn wedding. A joy. I’m certainly not portrait session shy, and I’m definately a believer that a selection of family group shots meaningfully earn their place in an album, but thank you ‘guys’ for allowing me in the main to observe at Rivervale last week. Did I feel like I lived your wedding for the day? Oh yes.

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