Category Archive: 365 wedding project
Reportage wedding photography | Wedding 365#84
In composition terms this image wouldn’t win a heap of wedding photography print competitions. Geometrically it breaks several rules on that count. But if there were a ‘grab shot’ category, well, maybe it would fair a little better. This is a photograph that describes my photographic approach to reception shooting, which in colder months can often be quite a cosy affair. The grand vistas that frequent the summer catalogue are replaced by nooks and low lit saloons. These are the times I opt for shorter focal length lenses, such as my workhorse kit glass; the 24mm prime F1.4. I can get in tighter, move around in space that can be cramp as guests mingle in rooms that were not necessarily designed for that many people all at one time. Ears are as useful as eyes at this point and mine are tuned to listen for excited chatter, laughter, conversation; expression that gathers what I refer to as character shots. This is an example of that. Their faces are lit by pin spots in the bar and perhaps a faint dab of the back screen illumination from the camera they’re looking at. The girl has noticed my presence, but I don’t think that steals away the focal point of this photograph; the amusement they are receiving from whatever it is they’re looking at. It’s a grabbed moment, though there is a little injustice in that description. It’s grabbed from an awareness of my surroundings and understanding of light (there’s no flash deployment).
BERKSHIRE WEDDING VENUE: The Olde Bell, Hurley
Surrey wedding | Wedding 365#83
I come back to this wedding photograph repeatedly and probably more so now that I have children of my own. Younger bridesmaids and page boys certainly experience a wedding from an entirely different viewpoint, and I’m not just talking about their size. They are entering an adult dominated day accompanied by unusual sights, sounds and agenda. Yes it’s exciting for them usually, but I can’t help feeling that the enormity of the day must strike home continually at each juncture. This intense photograph certainly records that well. We’re about to leave for church and it’s being explained what’s expected of her. Wide eyed, she’s keeping up, just.
SURREY WEDDING VENUE: Great Fosters at Egham.
SHOOTING DATA: Canon 5D Mk1, 24-105mm lens at 84mm, F4, 1/1600, ISO 800, under by a third.
The Olde Bell | Wedding 365#82
It’s the delicate anticipation of a wedding that draws me into reportage style coverage. I’m intrigued by emotion, genuinely excited at the prospect that only raw sentiment can unfold. I’ve witnessed this scene in many guises and in terms of photographic experience it underlines such an important facet of my interest in wedding photography; people watching. Privilege is a word often used in prosaic fashion by ‘tog blogs,’ but if ever there is a moment where documentary wedding shooters could honestly pinpoint a reason for their fascination in this genre, it must surely be times like this. To witness and share the excitement as it builds is as much as a draw today as it was the day I shot my first nuptials.
BERKSHIRE WEDDING VENUE: The Olde Bell, Hurley
Berkshire wedding photographer | Wedding 365#81
As I’ve been compiling this wedding 365 feature, it’s been an interesting experience to begin working back within my catalogue and note when my style started to mature within the wedding reportage genre. Here’s one from 2008. Four years ago I started to vignette images a little in post production to breathe some intensity into the frame’s centre. I was certainly shooting rich colour, a style that’s stuck with me. I favour rich colours or good strong depth and contrast within my monochromes. This image was taken at a time when I had just switched equipment from Nikon to Canon and aside from the odd image that I shoot with a Leica, I can’t see that that will change. I’ve worked my way through the 5D body series, culminating in my purchase this week of the new mark 3 system. I’ve been trialing it now for a couple of days and I can’t wait to use it in action at a wedding in the next week. The low light shooting capacity of a camera that happily saunters up to 25,600 ISO kisses the subject with clarity and reasonable skin tones in an otherwise dark room is a joy to behold, but then I’m a photographer, I should probably get out more.
BERKSHIRE WEDDING VENUE: Preparations at the bride’s home.
SHOOTING DATA: Canon 5D Mk1, 70-200mm at 70mm, F2.8, 1/320, ISO 800
Notley Abbey wedding | Wedding 365#80
This, is a record shot. It states the place and and the weather. Widening the aspect makes for an interesting perspective however and a vapour trail from a chimney is proportionally unusual and visually exciting. I like the ‘busy doing nothing’ vista and most importantly in wedding landscape terms, this provides pictorial calm, much needed I promise you.
BUCKS WEDDING VENUE: Notley Abbey
SHOOTING DATA: Canon 5D Mk2, 24mm, full details unknown.
Notley Abbey wedding | Wedding 365#77
Notley Abbey provides a stunning backdrop for outdoor civil wedding ceremonies. Today’s wedding 365 image depicts why the unexpected can create such photographic gold. We’re half way through the ceremony, which readers of this 365 blog feature may recognise; it’s the outdoor nuptials that entertained sun one moment, then a deluge of typically British summer the next. During the ‘dry spell,’ guests were able to enjoy a reading by one of the ushers. It’s being read off camera. The wall you see behind the guests forms the boundary between Notley Abbey and the farm directly behind. There’s a horse on the other side of this wall, and he decides the reading is the moment he should make his presence felt. Neigh. Neigh. Neigh and neigh again. Neigh. Neigh. I think you get the idea. Such an amusing natural moment. As much as I like this photograph, when I revisit this picture I equally wish I would have pulled wide to embrace the image of the usher – though of course the horse, well, he’ll always remain anonymous, until Canon cameras invent a system that can see through walls. As it stands it’s a fabulously characterful portrait and worthy of 365 inclusion.
BUCKS WEDDING VENUE: Notley Abbey
SHOOTING DATA: Canon 5D Mk2, 70-200mm lens at 75mm, F2.8, 1/50, ISO 160, over by a third.
Orchardleigh House | Wedding 365 project#74
I could so easily have titled this 365; “But Mummy I’m nervous.” 74 days in to this and the feature is developing as indeed my documentary wedding photography style has, so it’s been a timely departure from more recent weddings to visit the 55th wedding I shot, which was back in August 2007, at Orchardleigh House in Somerset. I see the very raw and early stages of reportage developing from a more traditional style of work I presented at the time. What was happening? The bridesmaid is the bride’s daughter and just prior to departing for the ceremony, she was engaging in a little ‘but I’m too shy for this’ moments. Sensing the slight tension in the room I sidled over to capture the image. Two things occur as I revisit this wedding photograph from 2012. A wider shot may well have shown the size and majesty of the room, which would only go to reinforce why a child may feel slight apprehension over the size of her task ahead. The second factor is sound. As I develop my sound product where I record elements of the day as a ‘radio documentary’ to later sit beside stills of the day, the soft reassurance and nature of this moment would have been complimented with audio.
SOMERSET WEDDING VENUE: Orchardleigh House
SHOOTING DATA: Canon 5D, 24-105mm lens at 55mm, F4, 1/125, ISO 640
FURTHER FEATURE NOTES: Please click the comments link below. Happy to hear more about how you view the images within this daily catalogue feature.
Highclere Castle wedding venue | Wedding 365#73
ETHOS: Highclere Castle, or to some popularised as Downton Abbey is one of the most prestigious wedding venues in the south, near Newbury. I’ve shot at Highclere on a handful of occasions, and I either see the venue bathed in summer sunshine, or on this visit, the depths of winter. The keys to this image are warmth, richness of colour, tonality and movement. Dragging the shutter whilst rested on a balcony cross beam seemed to provide the answers. By keeping the shutter open a fraction of a second longer than usual, I’m lengthening the exposure to create motion in my image. I’m also introducing warmth allowing more ambient light to do it’s thing. To freeze motion I could have added a dab of flash. To see the word Nikon appear within a posting requires the piece to be a good four to five years old. With the advance of high ISO capability within camera bodies and the application of faster lenses, would I have shot this differently using my current Canon kit? Perhaps. ISO 800 is not a number I’m well acquainted with come the evening and with the 5D Mk2, ISO 4000 is a regular bed partner. But I thought it was an interesting image to showcase since it shows how my thinking has remained fairly constant despite the maturing of style.
VENUE: Highclere Castle near Newbury
WEDDING 365 PROJECT – 365 days, 365 wedding images.
SHOOTING DATA: Nikon D2X, unknown lens, F2.8, 1/8, ISO 800
To pose or not to pose | Wedding 365#72
ETHOS: This blog post balances the reaction from the previous. It came to mind the moment I posted #71. I subscribe fully to reportage wedding photography possessing humour. If every photograph featured subjects blissfully oblivious to their photographic inclusion within the day, I believe this sense of humour would be lost. Guests are individuals. Humour is a part of that individuality and this, well, if I’d attempted a portrait sitting with this member of the bridal party, I probably wouldn’t have recorded such candidness. I maintain that people skills and laughing at oneself is an important part of being a wedding photographer. Letting characters be characters will yield a true reflection of the guest list.
VENUE: Wasing Park
WEDDING 365 PROJECT – 365 days, 365 wedding images.
SHOOTING DATA: 5DMk2, 24mm, F1.4, 1/1000, ISO 500, under by a stop and a third.
Botleys Mansion documentary wedding | Wedding 365#71
ETHOS: I think there’s a charm that assists this photograph in the ‘include or not include’ stakes. Is it the most flattering photograph I took this day at Botleys Mansion? Probably not. Is it an honest one? Probably yes. My main method of wedding photography coverage is reportage, fly on the wall, documentary – many labels to a photojournalist approach. Most of the time guests get used to me. I work fairly closely with short focal length lenses, which I believe actually helps. I get amongst the conversations and wedding as it breathes. But of course now and then, I get this. I absolutely adore this look of contempt juxtapositioning with her friend’s utter joy at the very same scenario. If images are supposed to make one think, this fits the bill for me perfectly.
VENUE: Botleys Mansion
WEDDING 365 PROJECT – 365 days, 365 wedding images.
SHOOTING DATA: 5DMk2, 24mm, F1.4, 1/125, ISO 250, under by two thirds of a stop.
Notley Abbey reportage | Wedding 365#70
ETHOS: From an open air Notley Abbey civil ceremony last year, it’s equally a timely reminder as we enter spring, that this kind of experience is not too far away again. If you’re trying to create a larger than life moment, say ‘supersizing’ one’s focus of attention, a low camera angle will do the trick just nicely. I’m equally keen on this photograph as I love the registrar’s reaction to the couple’s celebratory kiss. If Carlsberg made registrars, they would all be like Buckinghamshire’s ‘Julia.’
VENUE: Notley Abbey
WEDDING 365 PROJECT – 365 days, 365 wedding images.
SHOOTING DATA: 5DMk2, 24mm, F4, 1/1250, ISO 200, under by a third.
















