Category Archive: Documentary wedding photographer

The eyes have it | Wedding 365#61

Simple image and a simple moment. This is what I would call a support or record image in a wedding album. My personal ethos behind wedding photographs of this type is to show the wedding in motion. A bride talking with  guests is one such solution. For sure I have more animated pictures, but this is a contextual photograph and shows bride in situ with best friends.

WEDDING 365 PROJECT – 365 days, 365 wedding images.

SHOOTING DATA: 5DMk2, 24mm, F1.4, 1/100, ISO 1600, over by a third.

VENUE: Cooling Castle, Kent

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Cain Manor wedding photographer | Wedding 365#55

WEDDING 365 PROJECT – 365 days, 365 wedding images.

SHOOTING DATA: 5DMk2, 50mm, F1.4, 1/640, ISO 1600, under by a stop.

VENUE: Cain Manor

ETHOS: A posting from one of this weekend’s weddings, this one from Cain Manor near Farnham. I have a feeling this will become one of my favourite documentary wedding photographs of the year. There’s a patience involved with photographing people. My ears are one of my primary reportage tools. I tune into sounds broadcasting impending ‘somethings.’ At face value sat on a sofa it’s no more than five wedding guests chatting, until this moment. I’d recorded a handful of photographs from this scene from my low camera angle, designed to hide myself in the room so as not to draw attention. The room is fairly dark. Low ceilings. Minimum light being sucked from a window camera right. And then this. Body shape connects the male conversation to the female one. There’s a sense of amusement between the two men and I’m left wondering if they are discussing their female companions at close quarters or exchanging an entirely unrelated tale. The girls share a similar pictorial interest. There’s a mirroring occurring. Are they arm wrestling? I don’t know. I simply love the soft humorous nature of this photograph.

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Mirrors mirrors | Wedding 365#53

WEDDING 365 PROJECT – 365 days, 365 wedding images.

SHOOTING DATA: 5DMk2, 24mm, F1.4, 1/125, ISO 320, over by two thirds.

ETHOS: Mirrors bring opportunity, but they can also be somewhat overused. It’s easy to shoehorn in the obligatory mirror shot without thinking about why you’re shooting it. On the flip, it’s equally easy to think too much about breathing context into a wedding photograph. If a mirror were not an inanimate object it would probably say; “Dance with me wedding photographer, let’s see you dart and weave as to avoid my icy reflection.” See, in the main, I’m trying to avoid my own reflection. But every now and then a mirror provides a unique story telling angle and here’s an example. Shot of bride having make up applied. Not unusual in the context of a documentary wedding photograph. Add in another make up mirror, context in itself, and the reflection of yours truly, a further dimension is added. It’s not often you are photographed having make up applied, if ever again, so this does provide a photographic narrative.

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Wasing Park ceremony barn | Wedding 365#51

WEDDING 365 PROJECT – 365 days, 365 images. My ethos behind the way I shoot.

SHOOTING DATA: 5DMk2, 85mm, F2.5, 1/100, ISO 800

VENUE: Wasing Park

ETHOS: I lament the passing of my 85mm F1.2 lens. Perhaps the slowest focusing lens known to man. I missed so may shots waiting for it to wander aimlessly into focus. BUT. It was a beautiful piece of glass, had a fabulous bokeh, and was the perfect focal length lens for documentary work. Oh why did I sell it? This one remains a true Wasing Park wedding photograph favourite. It’s flattering on a personal level as there is a real level of acceptance from those being photographed. It’s equally fabulous for it’s story telling. The groom’s mother and father are in their own moments. The best man seems oblivious to the outpouring emotion.

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Wasing Park wedding photographer | Mike and Sally

I was asked on Monday to submit my thoughts for a magazine article being compiled about photographing weddings in trickier climatic conditions. My thoughts on this were immediately blogged this week here. I find myself ironically able to update those words as today’s Wasing Park wedding between Mike and Sally featured a drop or three along the way. If our latitude and longitude were say 36° 10′ 30″ N / 115° 8′ 11″ W, then wet weather would be less of a problem. In that we’re 51° 26′ 0″ N / 1° 0′ 0″ W, then rain is most certainly a consideration. I often get asked by prospective clients; “But what if it rains?” My answer is based on how many portraits within the landscape of their venue a client requires or desires if such conditions occur, but more often than not my answer simply reflects a reality that we’ll just photograph inside a little more. Talking of reality, being outside is actually a small portion of the day. Generally speaking, you get ready in a room, married in another kind of room, enjoy a wedding breakfast in a room with tables and dance, well, in a room. The wet stuff certainly doesn’t wreak quite as much havoc as couples may fear. Let’s add a third reality; it doesn’t generally rain forever. If I were somewhat more of a formal photographer or one for capturing rather more contrived big production portraits, of course this would perhaps be trickier. Iin documentary terms, a break in the weather provides time to capture some outdoor shots easily. It does of course help if your venue is a good one for ‘weather,’ meaning the plethora of varieties we can receive in one day. Wasing is certainly that, boasting a ‘glass walled’ ceremony and drinks reception room and separate barn for the wedding breakfast itself. A church is but a mere minute or two’s walk from the front door, so this all amounts neatly to present a solution to unkind clouds. There is a mistaken belief that rain will somehow put paid to the festival of enjoyment that is, a wedding. Wrong. Wrong and wrong. We had a fair amount of rain to contend with today, but I hope you’ll agree the images within this post show the story of a day that was magical despite.

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Wedding photojournalist | Wedding 365#47

WEDDING 365 PROJECT – Daily choice of a wedding photograph selected from my catalogue, collated from time spent documenting these unique events.

SHOOTING DATA: 5D, 58mm from a 24-105mm lens, F4, 1/800, ISO 640

ETHOS: I maintain that every photographed wedding will yield at least one signature moment, and this is the one for me from this particular wedding. It’s a simple shot featuring three key cast members from the day; groom, bride, bride’s father. They’ve just emerged from the service, friends are firing off their own frames directly in front of them. Bride turns to father and the connection is just magical. Often I photograph how fathers observe their daughters. It’s rewarding that when I return images from a wedding a response I often get is; “I had no idea dad was looking at me that way, I’m really touched.” This is role reversal. I hope this photograph is on her father’s mantelpiece because it says so much about her feelings for ‘dad.’

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Dumbleton Hall wedding photography | Jamie and Jennie

Look, from the outset, I’m a softy. My eldest little boy this week told me that I was; “The best daddy in the World,” for the first time. I cried. The Green Mile, Schindler’s List, Meet Joe Black; three films that you shouldn’t watch with me if the sight of a grown man shedding a tear embarrasses you. Unashamedly, I’m soft centered. For me, an observational emotional connect with my clients is important in documentary wedding photography terms. If you follow this blog and indeed the stories within my 365 project or main gallery images, it’s clear that I work stylistically cheek by jowl. I photograph primarily using short focal length lenses, that requires a closeness to the story unfolding before me. I hope the images in this blog piece demonstrate how in wedding story telling, it’s an approach and philosophy that can work well. You’ll be the judge and as ever I’d welcome your comments, either on the blog or by mail. Before you look further though, a further dimension to this story is that the couple concerned I count as friends, our bride Jennie having been a former work colleague when I frequented the radio airwaves. Jennie, I’m so incredibly proud of you for your accomplishments personally and of course latterly professionally, and look forward to hearing your reports as you jet the globe covering F1 2012. (I’m also a little bit envious, but shhhh, don’t tell anyone.) What an emotional day too. You underline why documenting these days has become a vocational life choice. And Jamie, thanks for letting Jen talk you in to allowing her softy friend to be present as photographer on your special day. Lots of love and I hope you enjoy this sneak preview.

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Wedding photographer Oxon | Wedding 365#43

WEDDING 365 PROJECT – Daily choice of a documentary wedding photograph selected from my catalogue, collated from time spent documenting these unique events. This one from Lains Barn.

SHOOTING DATA: 5DMk2, 24mm, F1.4, 1/40, ISO 1600, under by two thirds.

ETHOS: Prior to working with the amazing 1.4 L series 24mm lens, this kind of close proximity documentary work would not have been such a comfortable experience in conditions where light is at a real premium. Believe me, there is little light in available terms within this location of the barn. I’ve chosen this picture today because it’s a support image within the wedding and I want to share more of my work than simply proud signature shots. I like the nature of this image. I like the depth, the richness of tones. There’s not a complex story to this, though I like the female guest’s expression, seemingly sympathising with the conversation on going. I like the texture of the building. I even like the male guest, fingers illuminated by his iPhone, sending a text or something, perhaps a tweet; “Why is the man to the right taking my photograph #iambeingphotographed.”

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Wasing Park wedding photographer | Wedding 365#40

WEDDING 365 PROJECT – Today’s image taken from my wedding photography catalogue with creative and technical musings.

SHOOTING DATA: 5DMk2, 50mm lens, F1.2, 1/250, ISO 500

VENUE: Wasing Park, Berkshire

ETHOS: This remains one of my favourite documentary wedding images from Wasing Park and almost didn’t get captured as only a second after this was taken, someone instructed the boy to; “Smile for the man!?!” Photographers will recognise that ‘order’ to be the most destructive counter creative directive possible when trying to calmly go about one’s reportage task, appreciating at the same time of course that people are genuinely only trying to help. This says wedding without screaming dipped or leaping brides. The cross of the church, guest preparations behind the subject, a lad displaying what I’m sure my own son would be thinking; “Do we really need to go through this to get to the jelly and ice cream.” A real moment.

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Documentary wedding photographer | Wedding 365#39

WEDDING 365 PROJECT – Daily choice of a documentary wedding image selected from my catalogue, collated from time spent documenting these unique events.

SHOOTING DATA: 5DMk2, 24mm lens, F1.6, 1/1600, ISO 250, underexposed by two thirds.

ETHOS: “Do you come here often?” Some images merit a simple title. I think this is a pretty decent example of working close to your subject with a short focal length lens. Do they feel challenged by my presence? No. Is it even obvious that they sense my camera at all? I’d say no again. There is a creative assumption, and I started out this way, to think that the only way to achieve candid wedding photography is to stand 20 feet off with the longest zoom you can carry, popping shots like there was no end to the red top cheque book you are servicing. I find the opposite. We’re going in to the wedding breakfast and this is the receiving line. When I looked at the final collection, it was pretty obvious that I’d been accepted as part of the wedding. There are only a handful in the complete set as I elect to watch in the main, raising a camera only when I see something worth capturing. That way subjects don’t feel like they are being machine gunned by a tog with itchy shutter finger. Love the interaction between bride and groom, but there’s more to the story. One mother delights at seeing the scene, the other is pensive, thoughtful, reflective. As for father of the bride, I don’t know, maybe he’s thinking; “Please hurry up and file through, I’m hungry!”

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Low light wedding photography | Wedding 365#37

WEDDING 365 PROJECT – a documentary wedding photography image per day to demonstrate shooting style, creatively and technically.

SHOOTING DATA: 5DMk2, 24mm, F1.4, 1/100, ISO 3200, underexposed by a third during capture.

VENUE: Lains Barn

ETHOS: I’m an available light shooter, inspired by historic documentary photographers who have shot this way either by necessity or style. The three dimension afforded me by embracing light this way requires a particular approach come the evening. I’ll often shoot wider at these times as I can squeeze far more light and information out of a capture when I adopt this approach. Often you can do less with detail and you may well find that shadows under eyes (panda eyes) becomes an unattractive problem. I also slow down in photographic count terms come the evening. I don’t want my record of the evening’s events to simply be ‘man drinking beer.’ So, give me a balcony and a scene, and I’m a happy photographer.

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Wedding portraits | WEDDING 365#33

WEDDING 365 PROJECT – Daily choice of a wedding photojournalist image selected from my catalogue, collated from time spent documenting these unique events. Ethos provided for prospective brides and grooms, shooting data for the togs intrigued by that kind of information. Please comment, it makes a World of difference.

SHOOTING DATA: 5DMk2, 24mm lens, F1.2, 1/1600, ISO 800 underexposed by a third

ETHOS: Guests with cameras, you gotta love ‘em. I’ve never quite understood why some togs lay claim to ‘their couples.’ As the resident pro on the day, you want to return images that other photographers won’t have, and you do that through making creative and technical decisions that, if you’re doing your job correctly, should be more refined. That could be a depth of field. It could be communication. Whatever it is, it’s going to be different. The family portraits are a perfect example of this. Often I’ll set up a group, then share it with those around me. The way a group will interact with a friend, or in this case the siblings’ mother is facially different on so many levels. This photograph is not my formal version of the one on their list, and the couple in question here are still at this date to choose their album photographs. But, I hope this gets considered, because for me the relationship between them and the camera held by their mother to my left, is beautifully natural. I also like the way the eyes are led into the composition.

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Wedding photographer Hants | WEDDING 365#31

WEDDING 365 PROJECT – Daily choice of a documentary wedding image selected from my catalogue, collated from time spent documenting these unique events.

SHOOTING DATA: 5DMk2, 24mm lens, F1.4, 1/80, ISO 640

ETHOS: Just a simple monochrome tonight. Sooner or later, it doesn’t matter how unobtrusive you are, if you’re working in a close fashion with primes that require a form of intimacy, you’re going to be spotted taking a picture. I actually quite enjoy being spotted though and I believe these images provide light humour that cements the final collection together. All the World’s a stage for some people. Bravo.

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Berkshire wedding photographer | WEDDING 365#30

WEDDING 365 PROJECT – 365 days, 365 wedding photographs.

SHOOTING DATA: 5DMk2, 24mm, F1.4, 1/400, ISO 4000

ETHOS: “See the World from a child’s height.” I can’t remember which photographer told me that, but it was advice from a portrait tog early in my career which I have tried to heed. This means that at eye-line, if something like this happens, the connection is that much stronger. In imaging terms, there are several things happening too, which creates so much more interest within the picture; I see video, several layers of family in generation terms and of course the bridesmaids interacting in differing intensity with the wedding and each other.

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Botleys Mansion wedding photographer | WEDDING 365#25

WEDDING 365 PROJECT – A documentary wedding image selected each day from ‘the bank.’ Ethos provided for prospective brides and grooms, shooting data for the togs intrigued by that kind of thing.

SHOOTING DATA: 5DMk2, 24mm, F6.3, 1/1250, ISO 400, underexposed by a third

VENUE: Botleys Mansion, Nr Chertsey

ETHOS: I ask the question (and I welcome comment); when is a portrait not a portrait? Is it the moment the subject looks or goes to walk off camera thus ending the contrived nature of posing? As I collate these 365 images and consider some ethos notation, I’m finding myself looking at submitted portraits that feature subjects as they are stepping out of the ‘framed moment.’ This Botleys one is most certainly an appropriate example, and is all the more refreshing for it. The wind picks up, (note the tree) a gust grabs itself handfuls of hair and instantly, everyone relaxes. Click. Portrait.

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